Peter Claver patron saint of slaves…and retirees

I have never heard of Fr Peter Claver, a Jesuit priest-missionary,  until we passed by the town he was born and grew up in during the Camino Ignaciano. Born in Verdu, Spain into a rich farming family, he was well educated and intelligent. He later joined the Jesuits and was sent as a missionary to Colombia, at that time a newly established colony called Kingdom of New Granada.

Statue of Peter Claver with African slave child

There he became a priest and served the slaves who were cruelly brought in by shiploads from Africa and sold to landowners and mineowners who needed labourers.

Peter Claver humbly served among them offering care for the sick, speaking up for them to the owners, and catechizing them in the faith. Through his hard work, compassion and solidarity with the slaves, it is estimated that 300,000 were baptized during his 40 years of ministry in Cartegena. To me this is amazing, even if you factor in the pressure on slaves to comply because of their fear of their owners.

A simple minimalist chapel at his family home, now a shrine

The irony is that after years of faithful service, in his 70s, he fell ill, and while assigned an ex-slave to care for him, Fr Peter Claver was sadly neglected and largely forgotten till the day he died. Only at his funeral was there a deeper gratitude and appreciation for his years of service, as “a slave of slaves forever”.

This story stirred in my soul feelings of sadness, and the fear of being forgotten and neglected after I retire from my position as senior pastor.

It made me recall now, with some regret, that I had somewhat forgotten and neglected my predecessor pastor P.J. Johney, after he retired. In my immaturity and obsession of trying to fix the church and move it (as though this could be done by human effort and wisdom- what audacity and stupidity!), I had not taken as much time to honour, love and listen to him as I could. I was too into growing the church, when I should be growing myself in love and compassion.

I wonder what it would be like when I step down. Probably the same: forgotten and neglected. I had better prepare myself emotionally and mentally for this. There will obviously be dimunition of one’s power and role in decision making, as well as status and honour. Its the same for retirees in the working world. During this retreat I could with the help of the spiritual director, attend to these emotions and let it sink, and process them by talking about them to the Lord and receive His peace and joy, which surpasses all logic and human manufacture.

Thank you Fr Peter Claver! Perhaps you should not only be “the patron saint of all slaves”, but also of all retirees!!

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Serving men from the marketplace

The pastors initiated some pastoral care when we found that a number of men were between jobs. They were mainly professionals  in manufacturing, retail, finance and service industries. We formed a WhatsApp chat group with Wai Tuck as a co-ordinator. We called it Men In Transition. We met them for prayer and meditation (lectio divina), sharing, and meals periodically.

Reflection, lectio divina, sharing and prayer

Last week Tom Cannon and I met them for a few hours of reflection on their vocational history. We got them to draw a timeline and reflect on the high and low points of their years of working life. We asked them to ponder how God was present in their careers, using Old Testament Joseph’s timeline as an example. It opened their eyes. Then Tom led them in a lectio divina on the passage Isaiah 43:1-7. This was followed with a time of sharing their reflections. We listened to their stories of pain, victories, struggles, weaknesses and wrapped up everything by bring these to the Lord in prayer. The Lord was present to impart peace and comfort.

Men in Transition having lunch at The Ranch

Then we proceeded to The Ranch for a $10 set meal. Lovely morning; wonderful fellowship! To do work that encourages, enlightens and give hope to people you care about is such a satisfying thing.

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Aaron Lee and Namiko Chan Takahashi: Caring for Culture

Expanding the vision

I was looking for someone who could expand the congregation’s vision of how God is present and active in the creative arts to reveal His glory and power. I found such a person in Aaron Lee, an award-winning poet, bi-vocational pastor-lawyer, and a leader in the arts ministry. I first got to know him through Facebook. Later I got to know his wife, Namiko Chan– again on Facebook, and found out she was an award-winning portrait artist, and a Hula dance teacher. They are together the founders of Laniakea Culture Collective.

Made-in-the-Image-300x193

Aaron Lee and Kenny Chee
Aaron Lee and Kenny Chee

Sunday sermon: Made in the Image of the Master Artist

I invited them to take the Sunday morning message and the afternoon workshop. Aaron preached a message of how we are made in the image of the Master Artist and how we needed to submit to the ongoing work of the Master Artist as He shaped our broken lives into something glorious. The masterly and creative and precise use of words and videos were evident in his sermon. After all what do you expect from a wordsmith?

Kit Chan: I should have recognised her

I thought one of his guests looked like Kit Chan but she did not look like the glamourous Kit Chan seen on TV and the news. I could now see why the Jews had missed the Messiah – they had misconceptions of what the Messiah would be and do. The congregation was as clueless about her identity. And I lost a chance to get a picture with her.

Presenting a gift to the host (Photo: Lynne)
Presenting a gift to the host (Photo: Lynne)

 

The ho'okupu (token of honour)
The ho’okupu (token of honour)
Inside the wonderful gift: five stones (a reminder to "play")
Inside the wonderful gift: five stones (a reminder to “play”)

A creative gift

After lunch, Aaron and Namiko-Chan began their workshop with an interesting piece of Hawaiian culture. They presented a makana (gift, or ho’okupu “token of honour”) to the host, WRPF church, represented by my wife and I.  It looked like banana leaves and flowers tied with straws. It was actually lovingly made the night before with ti leaves and some flowers. Inside the leaves were five stones – a reminder to actively “play” throughout our lives.

Beng Choo and Deborah dancing
Beng Choo and Deborah dancing the prayer song (Photo: Aaron)
Namiko hulas to the prayer song. You could feel the presence of God as she moved with grace
Namiko hulas to the prayer song. You could feel the presence of God as she moved with grace (Photo: Aaron)

Enthralled by their stories

Then they shared their journey in the arts. The congregation was enthralled by their stories of how they were called and mentored into their ministry in the creative arts. Namiko’s story of how the Lord led her into learning the hula from a Hawaiian master, and how God used their 10,000 Profiles project to serve the orang asli were reminders of how God leads and uses us with our unique gift-sets.

During the workshop, Namiko got the whole congregation involved in expressing a prayer song in movements of our hands and arms. Then she gave her hula dance interpretation of the same song: it was anointed and captivating. I sensed the presence of the Lord conveyed through the dance.

Creative journalling

After a short break, Aaron gave us some tips on creative journaling. Doodling is one the interesting items on his list. There is hope for those who dislike writing. They can doodle! We ended with an open-ended exercise in journaling, a fitting closure to the workshop. For some, their journey has begun with this workshop, I hope.

After the meeting, people were still interacting with Aaron and Namiko.
After the meeting, people were still interacting with Aaron and Namiko.

Mind the gap

One takeaway for me was Aaron’s portrayal of the challenging gap of a lack of mutual acceptance and appreciation between the church and creative artists. Will creative out-of-the-box artists feel comfortable in a church that values respectability, conformity and acceptability? What would it take for a church to be more friendly for people of the creative arts to thrive in the church community?

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